Misplaced Pages

String Quartet
No. 13
Late string quartet by Ludwig van Beethoven
Coversheet of Beethoven's Op. 130 as published in Berlin on 2 June 1827
Key	B♭ major
Opus	130
Composed	1825
Dedication	Nikolai Galitzin
Published	1827
Duration	c. 45 min
Movements	Six
Premiere
Date	March 1826
Performers	Schuppanzigh Quartet

The String Quartet No. 13 in B♭ major, Op. 130, by Ludwig van Beethoven was completed (in its final form) in November 1826. The number traditionally assigned to it is based on the order of its publication; it is actually Beethoven's 14th quartet in order of composition. It was premiered (in its original form) in March 1826 by the Schuppanzigh Quartet and dedicated to Nikolai Galitzin on its publication in 1827.

Movements

Beethoven originally wrote the work in six movements, lasting 42–50 minutes, as follows:

1. Adagio, ma non troppo – Allegro (B♭ major)
2. Presto (B♭ minor)
3. Andante con moto, ma non troppo. Poco scherzoso (D♭ major)
4. Alla danza tedesca. Allegro assai (G major)
5. Cavatina. Adagio molto espressivo (E♭ major)
6. Große Fuge (Grande Fugue op.133): Ouverture. Allegro – Meno mosso e moderato – Allegretto – Fuga. – Meno Mosso e moderato – Allegro molto e con brio – Allegro (B♭ major)

(Nomenclature: "danza tedesca" means "German dance", "Cavatina" a short and simple song, and "Große Fuge" means "Great Fugue" or "Grand Fugue".)

The work is unusual among quartets in having six movements. They follow the pattern of movements seen in the Ninth Symphony and occasionally elsewhere in Beethoven's work (opening, dance movement, slow movement, finale), except that the middle part of the cycle is repeated: opening, dance movement, slow movement, dance movement, slow movement, finale.

New finale

Negative reaction to the work's final movement at the first performance, and his publisher's urging, led Beethoven to write a substitute for the final movement, a contredanse much shorter and lighter than the enormous Große Fuge it replaced. This new finale was written in the late autumn of 1826, during a relapse into severe illness, and is the final complete piece of music Beethoven composed before his death in March 1827. It is marked: "Finale: Allegro in B♭ major". Beethoven never witnessed a performance of the quartet in its final form; it was premiered on 22 April 1827, nearly a month after his death.

The original finale was published separately under the title Große Fuge as Opus 133. Modern performances sometimes follow the composer's original intentions, leaving out the substitute finale and concluding with the fugue. British composer Robert Simpson argues that Beethoven's intentions are best served by playing the quartet as a seven-movement work, with the Große Fuge followed by the replacement finale.

Judgments

The cavatina that serves as the fifth movement is generally considered the quartet's pinnacle. According to Michael Steinberg, it is "one of Beethoven's most inward and wonderful slow movements." Beethoven declared "that he had composed this cavatina truly in the tears of melancholy" and that "never had his own music made such an impression on him".

Some commentators also rank very high the freshness, grace and sensitivity of the third movement (Andante con moto, ma non troppo. Poco scherzando). It was Theodor Helm's favorite movement, and Daniel Gregory Mason used four bars of this movement as the frontispiece of his study of Beethoven's quartets.

In media

The Cavatina (performed by the Budapest String Quartet) is the final piece on the Voyager Golden Record, a phonograph record containing a broad sample of Earth's sounds, languages, and music sent into interstellar space in 1977 with the two unmanned Voyager probes. It immediately follows after the gospel blues song "Dark Was the Night, Cold Was the Ground" by Blind Willie Johnson, a blind and a deaf musician side by side. Voyager 1 entered interstellar space in 2012; Voyager 2 followed suit in 2018.

The Cavatina also appears in "Love and War", an episode from the sixth season of M*A*S*H, in the background as Hawkeye has dinner with an aristocratic Korean woman.

Ownership of manuscript

Beethoven, who died in 1827, gave the score of opus 130's fourth movement to his secretary, Karl Holz. At least two private owners in Vienna are known to have later acquired it. In the early 20th century, it came into the possession of the Petscheks, a wealthy Czech Jewish family involved in banking and the mining industry.

Following the Nazi invasion of Czechoslovakia in 1939, the Petscheks fled to the United States. They attempted to send the score by post, but it was intercepted by the Gestapo. The Nazis asked an expert from The Moravian Museum in Brno to verify the score's authenticity. According to the current museum curator Simona Šindelářová, the expert recognized Beethoven's handwriting, but in order to save the manuscript from being looted he lied to the Nazis and said it was not authentic. The museum was then allowed to keep it. It remained with the Moravian Museum for more than 80 years.

The Nazis seized most of the Petscheks' assets and possessions, which Czechoslovakia's Communist regime nationalized after the war. Franz Petschek, who had run the family's mining businesses in Czechoslovakia, tried from his new home in the U.S. to get the manuscript back but got scant sympathy from the Communist government.

In August 2022, the Moravian Museum returned the manuscript to the heirs of the Petschek family, adhering to the Terezín Declaration, which urged governments to make every effort to return former Jewish properties confiscated by the Nazis, fascists and their collaborators to their original owners.

Before returning the manuscript, the museum exhibited it for five days. It had not been exhibited during the museum's prolonged custody of it. "It's one of the most precious items in our collections", Šindelářová said. "We're sorry about losing it, but it rightly belongs to the Petschek family".

See also

• Late string quartets (Beethoven)

Notes

1. "Transcending to Beyond (1824–1827)". ludwig0van0beethoven.tripod.com.
2. Marliave, Joseph de (1961). Beethoven's quartets. Jean Escarra, Hilda Andrews. New York: Dover Publications. ISBN 0-486-20694-7. OCLC 337453.
3. Kahn, Robert S. (2010). Beethoven and the Grosse Fuge: Music, Meaning, and Beethoven's Most Difficult Work. Scarecrow Press. pp. 3–6. ISBN 978-1-4616-6405-5. Retrieved 16 September 2017.
4. "Programme notes on the Beethoven string quartets – The Robert Simpson Society". The Robert Simpson Society – Dedicated to the music, writings and study of British composer Robert Simpson. Retrieved 22 February 2024.
5. Michael Steinberg, in The Beethoven Quartet Companion, ed. Robert Winter and Robert Martin (University of California Press, 1994) pp. 227–244
6. Violinist Karl Holz, qoted in Jean and Brigitte Massin, Ludwig van Beethoven, Fayard, 1967, p. 718.
7. "what this andante loses in solemnity, it does more than recover in freshness and grace, and it yields to no music from the last period for sensibility."Kerman 1988, p. 380
8. Theodor Helm, Beethovens Streichquarette, Leipzig, 1921, quoted in Kerman 1988, pp. 380, 461.
9. Daniel Gregory Mason, The Quartets of Beethoven, New York, 1947, quoted in Kerman 1988, pp. 380–381, 461.
10. "Voyager – Music on the Golden Record". voyager.jpl.nasa.gov.
11. Janicek, Karel; Fabian, Emanuel; Fabian, Emanuel (3 December 2022). "Czech museum to return original Beethoven score to family that fled Holocaust". The Times of Israel. Retrieved 22 February 2024.
12. "Czech museum to return Beethoven score saved from Nazis to its owners". Euronews. 4 December 2022. Retrieved 22 February 2024.
13. Goldstein, Caroline (5 December 2022). "A Czech Museum Is Returning a Prized Beethoven Score Looted from a Family During World War II". Artnet News. Retrieved 22 February 2024.

Sources

• Kerman, Joseph (1988). Les quatuors de Beethoven [The Beethoven Quartets (1967)] (in French). Translated by Marcel Marnat. Paris: Seuil.

Further reading

• Vernon, David (2023). Beethoven: The String Quartets. Edinburgh: Candle Row Press, 2023. ISBN 978-1-7396599-2-9.

External links

• String Quartet No. 13: Scores at the International Music Score Library Project
• Performance of the quartet with the Große Fuge by the Orion String Quartet from the Isabella Stewart Gardner Museum in MP3 format

v t e Voyager Golden Record
Contents Voyager program Voyager 1 Voyager 2
Sound	first movement of Brandenburg Concerto No. 2, BWV 1047 "Cavatina" from Beethoven's String Quartet No. 13 Chakrulo "Dark Was the Night, Cold Was the Ground" "Gavotte en Rondeau" from Partita for Violin No. 3, BWV 1006 "Izlel ye Delyo Haydutin" "Johnny B. Goode" Mugham Prelude and Fugue in C major, BWV 870, from The Well-Tempered Clavier, Book II Puspawarna Queen of the Night aria from The Magic Flute "Sacrificial Dance" from The Rite of Spring Songs of the Humpback Whale first movement of Beethoven's Symphony No. 5
Contributors	Louis Armstrong and His Hot Seven Valya Balkanska Bavarian State Opera with Edda Moser, conductor: Wolfgang Sawallisch Budapest String Quartet Johann Sebastian Bach Ludwig van Beethoven Chuck Berry Columbia Symphony Orchestra conductor: Igor Stravinsky John Cohen Tom Djäwa Ann Druyan Glenn Gould Arthur Grumiaux Guan Pinghu Anthony Holborne Kamil Jalilov Blind Willie Johnson Kesarbai Kerkar Wolfgang Amadeus Mozart Münchener Bach-Orchester conductor: Karl Richter David Munrow with the Early Music Consort K. P. H. Notoprojo Philharmonia Orchestra conductor: Otto Klemperer Carl Sagan Nick Sagan Laurie Spiegel Gorō Yamaguchi
Category Commons

• Classical music

• String quartets by Ludwig van Beethoven
• 1825 compositions
• Compositions in B-flat major
• Commissioned music
• Music dedicated to nobility or royalty
• Music dedicated to benefactors or patrons
• Contents of the Voyager Golden Record