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Boléro (Chopin)

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1833 piano piece by Frédéric Chopin

Chopin's Boléro, interpreted by Christoph Zbinden

The Boléro, Op. 19, is a short piano work written by Frédéric Chopin in 1833 and published in 1834. It is one of his lesser-known piano pieces, although it has been recorded numerous times.

Structure

The overall key of the Boléro is difficult to establish. It was often listed as Boléro in C major - A minor, as the work opens with three unison octaves in G (dominant chords of C major) in fortissimo, then a lengthy introduction in C major, moving to A minor (the relative minor of C major) for the Boléro proper. This is interrupted by sections in A major, A-flat major and B-flat minor before returning to A minor. It ends triumphantly in A major (parallel major of A minor).

Composition

The work was dedicated to the Scottish-born but half-French Mademoiselle la Comtesse Émilie de Flahaut, then aged only 14, and a pupil of Chopin's. She was later to become Countess of Shelburne. The apparent inspiration for the Boléro was Chopin's friendship with the French soprano Pauline Viardot, whose father, the famed Spanish tenor Manuel García, had introduced boleros to Paris by the time of Chopin's arrival there. His biographer Frederick Niecks speculated that it was inspired by the Bolero in Daniel Auber's La muette de Portici (1828). Despite the ostensibly Spanish flavour of the piece, it has been described as a polonaise in disguise, or a boléro à la polonaise, as its rhythms are more redolent of the national dance of Chopin's homeland than anything Spanish. It was written five years before Chopin first visited Spain in 1838.

References

  1. Otto-Haas Music
  2. ^ Jonson, Ashton (1905). A Handbook to Chopin's Works. New York: Doubleday. p. 63. ISBN 9783957388186.
  3. Naxos Archived April 2, 2012, at the Wayback Machine
  4. "Chopin Files". Archived from the original on 2011-07-23. Retrieved 2011-01-01.

External links

Free score at IMSLP/Petrucci Music Library

Miscellaneous extant works by Frédéric Chopin
With opus numbers
Variations brillantes in B♭ major on "Je vends des scapulaires" from Hérold's Ludovic, Op. 12
Boléro, Op. 19
Tarantelle in A♭ major, Op. 43
Allegro de concert, Op. 46
Fantaisie in F minor, Op. 49
Berceuse in D♭ major, Op. 57
Barcarolle in F♯ major, Op. 60
Marche funèbre in C minor, Op. posth. 72/2
Three Écossaises, Op. posth. 72/3
17 Polish songs, Op. posth. 74
Without opus numbers
Album Leaf (Moderato) in E major, B. 151
Andantino in G minor (arr. of the piano part of the song Wiosna), B. 117
2 Bourrées, B. 160b
Canon in F minor, B. 129a
Cantabile in B♭ major, B. 84
Contredanse in G♭ major (doubtful), B. 17
Fugue in A minor, B. 144
3 Fugues; arr. from Cherubini's Cours de contrepoint et de fugue, KK. VIIa/2
Galopp in A♭ (Galop Marquis), P. 2/13
Introduction, Theme and Variations in D on a Venetian air, for piano 4-hands, KK. IVa/6
Klavierstück in B♭ (1834), P. 2/6
Klavierstück in E♭ (1837), P. 2/5
Klavierstück in E♭ (1840), P. 2/10
Largo in E♭, B. 109
2 Polish songs, B. 51, 132
Variations in A major, Souvenir de Paganini, B. 37
Variation in E major for Hexameron, B. 113
Variations in E major for flute and piano on "Non più mesta" from Rossini's La Cenerentola, B.9, KK. Anh. Ia/5
Variations in E major on the air "Der Schweizerbub", a.k.a. Introduction et Variations sur un Lied allemand, B. 14
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