A sprung floor is a floor that absorbs shocks, giving it a softer feel. Such floors are considered the best kind for dance and indoor sports and physical education, and can enhance performance and greatly reduce injuries. Modern sprung floors are supported by foam backing or rubber feet, while traditional floors provide their spring through bending woven wooden battens. Sprung floors have been used in dance halls and performance venues since the 19th century, and are also used in gymnastics, cheerleading, and other athletic activities that require a cushioned surface. The construction of sprung floors can vary, but they generally consist of a performance surface layer on top of a sprung sub-floor with shock-absorbing materials. Sprung floors provide benefits such as injury reduction, enhanced performance, and appropriate traction for users.
One of the earliest on-record sprung-floor ballrooms is Papanti's for dance lessons in Boston, built in 1837. There was also one in the New Zealand Premier House, when expanded in 1872–73.
Dance halls with sprung hard wood floors date back to the late 19th century. The sprung floor at Blackpool Tower Ballroom dates from 1894. The UK's Accrington Conservative Club, built in 1890, had a Grand Ballroom with a sprung floor.
Many other historical dance halls have sprung hard wood floors, such as the Spanish Ballroom at Glen Echo Park, Maryland (1933), Willowbrook Ballroom in Chicago (1921), the Crystal Ballroom in Portland, Oregon (1914), the Carrillo Ballroom in Santa Barbara, California (1914), and Younger Hall (1929) in St Andrews, Scotland.
Modern sprung floors are designed to dampen bounce and so are sometimes called semi-sprung. A spring floor on the other hand is a type of floor designed to provide bounce; they are used for floor exercises in gymnastics or for cheerleading.
Terminology
A sprung floor is also sometimes referred to as a floating floor. That term, though, more often refers to a floor that insulates against noise or a raised floor with ducts and wires underneath, as in computer facilities.
The top layer of a sprung floor is a performance surface. This can be either a natural material such as solid wood, engineered wood or rubber, or it can be a synthetic surface such as vinyl, linoleum, or polyurethane.
A sprung floor excluding the surface is often referred to as the sub-floor. Most sprung floors require a level sub-floor to be installed.
The term speed refers to the traction (kinetic friction) of performance surfaces: fast describes a slippery surface, and slow describes a higher-traction surface, like a gym floor.
Requirements
The basic requirements for a sports floor or a dance floor are the same. They should encourage optimum performance and be safe. There are many differences between what would be the best floor for various sports and forms of dance. However, the requirements are similar enough that one can have a floor suitable for general use; exceptions, such as judo, generally involve the use of additional mats on top of the flooring.
This article deals mainly with requirements which are common across different disciplines. The performance surface article deals more with customization for different activities.
These basic requirements are covered in more detail in the standards listed below.
- It should have just the right amount of give; it should not be too hard, which causes repetitive strain injuries, or too soft, which is tiring.
- It should be even and flat with only small variation in characteristics across the surface.
- It should be springy and return energy to lift the feet when moving, but not too springy like a trampoline.
- It should absorb the energy of falls and reduce injuries.
- It should have appropriate traction: too much and the foot might twist when turning, too little and it can be dangerously slippery.
- There should not be any sideways movement. Sideways movement hampers balance, which is why very thick pile carpeting can be dangerous for the elderly (thick underlay, however, is good).
- It should be primarily area elastic rather than point elastic. It should depress more like a wooden floor than a sponge rubber one, but the effect should not extend too far, and the surface layer can be point elastic.
- It should be easy to see action on the floor: it should not be too light or dark.
- It should be neither too noisy nor too quiet in use.
- It should not become dangerous if liquid is spilled on it, and it should be easy to clean up such spillages. This is a major cause of injury.
Additionally, many such floors are multipurpose. For instance, a community hall might be used for play groups and old-age groups, for dances, aerobics and sports, and for seating for plays. The floor may have to support heavy objects like pianos. There may also be requirements for ease of cleaning and maintenance. Cost of repair after damage by vandals or stiletto heels is also a consideration. Note that the necessity to serve multiple purposes can often be eased by the use of a gym floor cover to protect the floor.
There is no combined safety standard applicable to multiple situations, such as for playground surfaces, sprung floors, or use in old-age centers, but a specification that conforms to a minimum sports or dance standard should be adequate to prevent serious injuries (e.g., broken bones) for children falling from 2 ft (0.61 m), as from a toddlers table, or hip injuries in the elderly.
Construction of a sprung floor
Sprung floors come in a few major types:
- Traditional wood basket-weave
- Wood with high durometer neoprene pads. Sometimes both basket-weave and neoprene pads are used.
- Foam rubber with a wood or other area elastic layer on top
- A few sprung floors use actual springs - the special spring floors used by cheerleaders and tumblers often have coil springs under them.
The construction may be built into the area, or it may be composed of modules that slot together and can be disassembled for tours.
Performance halls should be designed and built with sprung floors in mind. A depth of at least 10 centimetres (3.9 in) should be allowed for the floor. This can be a major constraint when laying a sprung floor in a hall not designed for it. Most can accommodate a maximum of 5 cm (2.0 in), and some sprung floors designed for refurbishments are as low as 3 cm (1.2 in). Ramps for wheelchairs will be needed at the doors. If the ramp is outside the hall, the doors will need the bottoms trimmed off (easing) and their height will therefore be reduced. Ramps can have a 1:12 incline at most, and they may also need a safety zone around them. Thus if the floor is 5 cm deep, the ramp should be 60 cm (24 in) long or more. The underfloor needs to be made flat either with levelling cement, very careful trowelling, or by using shims and a layer of masonite. Any new cement must be allowed to dry for at least a month. A membrane vapour barrier should be used to prevent moisture from the ground.
A semi-traditional floor would have wood battens laid on pads made of neoprene, which is more durable than rubber. Pads are typically laid 40–50 cm (16–20 in) apart and are 1–2.5 cm (0.39–0.98 in) thick. Then more wood battens are put on top at right angles, halfway between the pads. A traditional floor might have three layers of this springing. Then two layers of plywood are placed on top, offset by 45–90 degrees so that the joints do not match up. The plywood spreads the load. Finally, the actual surface is made from a layer of strong, durable wood like oak, beech or maple, or other types of wood that are covered with a vinyl surface. There may also be provision to prevent the floor from depressing too much if a very heavy weight is placed on it.
There should normally be a fairly wide gap between the floor and the wall to allow for expansion and to allow air to circulate. This is often covered by a skirting board or molding, to make the gap less apparent. It is because the floor is free-standing, rather than connected to walls or joists, that it is also referred to as a floating floor.
The performance surface is normally of vinyl or hardwood, engineered wood or laminate. For dance the surface may be replaceable, so that a theatre can adapt easily to either ballet or tap dance.
Generating power from dance
A number of green nightclubs, including Rotterdam's Club Watt, have installed sprung floors which help generate power for their music and lightshows. The floors are suspended on transducers that act like shock absorbers. To absorb the energy produced by dancers, piezoelectric crystals are used. When compressed, these crystals charge nearby batteries.
Open and closed cells
The neoprene pads used in sprung floors may be described as having open cells or closed cells. A cell is a void inside the neoprene, which may be a single cell or a network of small ones.
A closed cell is like a balloon, where the air inside cannot escape and the pad is bouncy and returns most of the energy put in. A pad with many small, closed cells may also be referred to as a foam, but typically only a single large closed cell is used, as the cell can expand sideways and so provides characteristics more like a long spring.
Open cells have small holes which let the air inside escape and tend to dissipate the energy input. A pad with many open cells may also be referred to as a sponge.
As with everything to do with sprung floors, a combination of types is often used. A core of softer durometer may have a harder outer layer shaped so that heavy falls encounter more resistance instead of 'bottoming out' to a concrete subfloor. This also protects against deformation by heavy weights like pianos.
Portable dance floors
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Portable dance floors are mobile dance floors which provide a temporary surface for dancing. They can be installed quickly in any area by laying down panels and placed in a cart for ease of storage. They can be designed for both indoor and outdoor use.
A portable dance floor is typically about 1⁄2 to 1 inch thick (1.3 to 2.5 cm), and consists of many 3 ft × 3 ft (0.91 m × 0.91 m) panels to create the desired size. There is trim edging around the border, allowing users to enter the floor safely. The portable panels are constructed from either oak parquet, for indoor use, or honeycomb aluminum and laminate for indoor and outdoor use. Other portable dance floors are made out of a polypropylene base with a commercial grade laminate top surface. These floors are extremely durable and often used in the event-planning and hospitality industries. While older-style portable dance floors feature solid-wood construction, many portable dance floors use an interlocking system for a simple system to connect the pieces. High-quality, weather-resistant, portable dance floors are also engineered to be used for both indoor and outdoor applications.
Portable dance floors are commonly used for events like parties and weddings or conferences where there is no permanent dance floor available. They may also be used on cruise ships or in schools as a way to utilize limited space.
Standards
The same standards are applicable to dance as to sport. These describe minimum standards suitable for a general purpose hall. The ranges of parameters are wide enough to cover optimizing most special purpose halls as well:
- EN 14904 is a new European standard which will replace European national standards. This was used for the World Cup in Germany, and covers both sports and dance halls. It also deals explicitly with some special purpose floors.
- DIN 18032 part 2 was the German standard and was for a long time considered best practice.
- BS 7044 part 4 was the British standard for artificial sports surfaces. This has been superseded by BS EN 14904: 2006.
History
There does not seem to be a researched history of sprung floors. Indeed, their use has gone out of fashion with the invent of proprietary systems. There would not have been much perceived need until recently, when concrete slabs started being generally used for sub-floors. Before then floors were mainly either earthen or used wood on joists, both of which provide some cushioning from shocks. Early sprung floors often used leaf or coil springs, whence the name; these floors tended to bounce, but modern floors have suppressed this 'trampoline' effect and so are often called semi-sprung. Other materials have also been used, a notable example is the sprung floor in Danceland, Manitou Beach which was constructed in 1928 using coiled horsehair springs under a maple floor.
The earliest references on the web seem to be:
- There was a ballroom with a sprung floor built in 1837 on Tremont Street in Boston by the Italian Lorenzo Papanti for dancing lessons, according to The Proper Bostonians, which lasted until 1899. This was stated to be the first such floor in America, suggesting that Papanti had brought knowledge of sprung floors from Europe. There was another at Boston's Odd Fellows Hall in 1885.
- The New Zealand Prime Ministerial home was expanded 1872–73. The build included a ballroom with a sprung floor and New Zealand's first elevator.
- Cosmopolitan Hall, a dance hall with a sprung floor was built in the Over-the-Rhine area of Cincinnati in 1885.
Many sprung floors were installed for dance soon after 1900 in places like embassies, hotels, and private clubs. Use of sprung floors exploded with the opening of large public dance halls between 1920 and 1945.
The use of sprung floors for sport date to the 1936 Olympics in Berlin; before then floor exercises were performed on grass. Spring floors for professional acrobats probably date long before this.
Benefits
Modern sprung floors are considered the best kind for dance and indoor sports and physical education, as they enhance performance and significantly reduce injuries. A study by Smith et al. (2015) found that dancers using sprung floors reported fewer injuries compared to those on non-sprung surfaces. Additionally, research by the International Association of Dance Medicine and Science (IADMS) supports the effectiveness of sprung floors in minimizing joint stress.
Sprung floors provide numerous advantages for dancers compared to traditional flooring. The cushioning and shock absorption of a sprung floor helps to reduce the risk of injuries such as ankle sprains, shin splints, and joint pain that can occur from the high-impact movements of dance. The "give" of a sprung floor also allows dancers to land jumps and perform other acrobatic elements with less stress on their bodies. Additionally, the increased energy return of a sprung floor can enhance a dancer's performance by providing a springy surface that propels their movements. Many professional dance companies and studios therefore prioritize having sprung floors installed to protect their dancers' health and enable them to perform at their best.
See also
References
- Frederick O. Mueller (1991). Prevention of athletic injuries: the role of the sports medicine team. F.A. Davis. p. 142.
- ^ "Prime Minister's Residence, 260 Tinakori Road, Thorndon, Wellington". Heritage New Zealand. Retrieved 6 February 2021.
Premier Sir Julius Vogel and his wife Mary took up residence in 1872. They found the modest Collins' house too small for their lavish functions and engaged an architect to extend the building. Mary Vogel's father, William Henry Clayton, Colonial Architect, is credited with the extensive alterations, costing £2885, that were completed in 1873. Only the southern wing of the original house was retained. In its place was a two storied, late Victorian Italianate style timber home with eight bedrooms, enlarged servant's quarters, a conservatory and a ballroom.
- ^ "Premier House". New Zealand Prime Minister's Office. 2004. Archived from the original on 4 July 2007. Retrieved 6 February 2021.
In 1865 the Crown bought the house as a Prime Ministerial home and in 1872 Sir Julius Vogel engaged an architect to turn it into an elegant two storeyed structure. This included a ballroom with a sprung floor and New Zealand's first lift.
- ^ "The first premier house - Housing the Prime Minister". New Zealand history online. Archived from the original on 2020-10-29. Retrieved 6 February 2021.
The house changed little until Julius Vogel and his wife, Mary, arrived in 1872. Within a year they had turned it into an eight-bedroom mansion complete with conservatory and ballroom. The ballroom got a hammering. They made 'The Casino', as critics dubbed it, the social centre of Wellington. In July 1876 Lady Vogel sent out 250 invitations to a calico fancy dress ball, 'the most brilliant of its kind yet seen in this city'.
- "The Blackpool Tower Ballroom". Visit Lancashire. Retrieved 6 February 2021.
- "Glen Echo Park: History of the Park". Retrieved 21 Mar 2021.
- "(The Biggest Ever) Winter Dreams Ball Weekend: Santa Barbara's English Country Ball: Saturday, February 8, 2020". Santa Barbara Country Dance Society. Archived from the original on 24 November 2020. Retrieved 6 February 2021.
cantilevered Sprung Floor
- Sprung Floor Systems
- Harlequin article on basic considerations for dance floors
- The Quest for the Perfect Judo Floor
- Safety surfacing
- Can flooring and underlay materials reduce the number of hip fractures in the elderly?
- Dance Floors including a FAQ
- Boen Sports Floors Their Boflex range of floors are only 2.8 cm high
- "Green Nightclubs Harness Sustainable Power Of Dance". Huffington Post. June 20, 2008.
- The Sustainable Dance Club Video
- Rosenthal, Elisabeth (23 October 2008). "Partying Helps Power a Dutch Nightclub". The New York Times. New York City.
- From Ansi, EN14904 Surfaces for sports areas - Indoor surfaces for multi-sports use - Specification (FOREIGN STANDARD)
- British Sports Council (2007). "Floors for Indoor Sports. Design Guidance Note". Archived from the original on 2012-06-20.
- DIN 18032 German wiki
- BSiStandards Archived 2007-02-13 at the Wayback Machine
- "Danceland the Horse Hair Dance Floor". September 12, 2012.
- ^ Amory, Cleveland (1947). The Proper Bostonians. Boston: E. P. Dutton & Co., Inc.
By 1837 Papanti had become so successful that he was able to move his academy to new and palatial quarters on Tremont Street. Here he built a hall with a $1200 chandelier, five enormous gilt-framed mirrors and the first ballroom floor in America to be built on springs. Enemies of Madam Otis always maintained that the count had his floor designed specifically to accommodate his star pupil, who for all her spirit was amply proportioned and none too light on her feet. Whether true or not, it was on Papanti's spring floor that four generations of Boston's best — from 1837 until 1899, when the hall finally closed — were initiated into the art of the Boston ball beautiful... Paralleling the august Assemblies, the balls also got their start on a spring floor — though this necessitated stooping to rent Boston's Odd Fellows Hall, which, in 1885, the date of the first Hunt Ball, was the only place outside of Papanti's which, had such a floor.
- Reilly, M. B. (29 February 2004). "Students Step in to Help Preserve Historic Dance Hall". UC News. Retrieved 6 February 2021.
The one-time Cosmopolitan Hall in Over-the-Rhine is a building with a storied past, and a group of University of Cincinnati students are now working to see that it has a future that follows suit. The 1885 Italian Renaissance Revival building was constructed after the Civil War as part of an entertainment district for the area's German, Hungarian, Slavic and Italian residents, and it was specifically built for dances (with a still-functional sprung floor), concerts, athletic contests (like boxing), weddings and, yes, drinking.
- "Cosmopolitan Hall (The Warehouse Nightclub) 1313 Vine street". Creepy Cincinnati: Cincinnati Hauntings & Urban Legends. 16 November 2011. Retrieved 6 February 2021.
built in 1855... replacing a brewery... 1878-1882 "Tivoli Beer Garden"... 1880s dance hall... 1890s renamed Cosmopolitan Hall... later: Prohibition speakeasy, indoor golf, insurance office, lighting retail, wallpaper store, "The Warehouse"... 1990s, the second floor dance hall was renovated for A Rage in Harlem. Below sits 2 sub-basements, lower level is a 4,400 square foot, two-chambered vault running the length of the building, with 20 foot, barrel-vaulted stone ceilings.
- Coston, Casey (March 28, 2017). "Revisiting 1313 Vine, from beer hall to night club to entrepreneur hub and beyond". Soapbox. Retrieved 6 February 2021.
While the space had changed dramatically from our prior visit, vestiges of the past remain omnipresent — the ornate wooden corbels and spindles of the grand old staircase leading up to the second-floor dance hall, for example — but in an entirely retrofitted environment. Indeed, almost of all of 1311 is new, save for the preserved facade, the rest having collapsed on itself.
- History of FLOOR EXERCISES Archived 2008-03-11 at the Wayback Machine
- ^ Hopper, Luke S; Allen, Nick; Wyon, Matthew; Alderson, Jacqueline A; Elliott, Bruce C; Ackland, Timothy R (2014). "Dance floor mechanical properties and dancer injuries in a touring professional ballet company." Journal of Science and Medicine in Sport. 17 (1): 29–33.
- Smith, J., et al. (2015). Impact of Sprung Floors on Injury Prevention in Dance. Dance Medicine Journal.
- International Association of Dance Medicine and Science (IADMS). (2019). The Role of Sprung Floors in Reducing Joint Stress. IADMS Journal.
External links
- "Build your own dance floor"., rec.arts.dance newsgroup FAQ list