Misplaced Pages

Jhaptal

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Non-symmetrical tala of Hindustani classical music
This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Jhaptal" – news · newspapers · books · scholar · JSTOR (November 2009) (Learn how and when to remove this message)

Jhaptal is a tala of Hindustani music. It presents quite a different rhythmical structure from Teental, unlike which it is not symmetrical. It is used in madhyalay (medium-tempo) Khyal.

Arrangement

Jhaptal is a 10-beat pattern used in raga exposition. It has ten beats in four divisions (vibhag), of 2-3-2-3, the third of which is the khali, or open division. To follow the tal the audience clap on the appropriate beat, which in jhaptal is beats 1, 3 and 8 (the first beat in each full division). A wave of the hand indicates beat 6, the first beat of the khali section.

Series of Claps and Waves: clap, 2, clap, 2, 3, wave, 2, clap, 2, 3

Theka

There are 4 vibhags: The split for Jhaptaal : 2 / 3 / 2 / 3

Theka:

x Dhi Na | 2 Dhi  Dhi Na |0 Tin  Na | 3Dhi  Dhi Na |
In Devanagari : धी ना - धी धी ना -- ती ना - धी धी ना .
It has a characteristic pattern of bols (theka).

Note the bols used for the first beat of each division: Dhi, is played at the beginning of the first, second and final divisions; for the khali section, Na - a right hand bol - is used to indicate that the division is open.

References

External links

Hindustani classical music
Concepts Goddess Saraswati
Instruments
Genres
Semi-classical genres
Thaats
Stub icon

This music theory article is a stub. You can help Misplaced Pages by expanding it.

Categories: