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Below is a list of intervals expressible in terms of a prime limit (see Terminology), completed by a choice of intervals in various equal subdivisions of the octave or of other intervals.

For commonly encountered harmonic or melodic intervals between pairs of notes in contemporary Western music theory, without consideration of the way in which they are tuned, see Interval (music) § Main intervals.

Terminology

• The prime limit henceforth referred to simply as the limit, is the largest prime number occurring in the factorizations of the numerator and denominator of the frequency ratio describing a rational interval. For instance, the limit of the just perfect fourth (4:3) is 3, but the just minor tone (10:9) has a limit of 5, because 10 can be factored into 2 × 5 (and 9 into 3 × 3). There exists another type of limit, the odd limit, a concept used by Harry Partch (bigger of odd numbers obtained after dividing numerator and denominator by highest possible powers of 2), but it is not used here. The term "limit" was devised by Partch.
• By definition, every interval in a given limit can also be part of a limit of higher order. For instance, a 3-limit unit can also be part of a 5-limit tuning and so on. By sorting the limit columns in the table below, all intervals of a given limit can be brought together (sort backwards by clicking the button twice).
• Pythagorean tuning means 3-limit intonation—a ratio of numbers with prime factors no higher than three.
• Just intonation means 5-limit intonation—a ratio of numbers with prime factors no higher than five.
• Septimal, undecimal, tridecimal, and septendecimal mean, respectively, 7, 11, 13, and 17-limit intonation.
• Meantone refers to meantone temperament, where the whole tone is the mean of the major third. In general, a meantone is constructed in the same way as Pythagorean tuning, as a stack of fifths: the tone is reached after two fifths, the major third after four, so that as all fifths are the same, the tone is the mean of the third. In a meantone temperament, each fifth is narrowed ("tempered") by the same small amount. The most common of meantone temperaments is the quarter-comma meantone, in which each fifth is tempered by 1⁄4 of the syntonic comma, so that after four steps the major third (as C-G-D-A-E) is a full syntonic comma lower than the Pythagorean one. The extremes of the meantone systems encountered in historical practice are the Pythagorean tuning, where the whole tone corresponds to 9:8, i.e. ⁠(3:2)/2⁠, the mean of the major third ⁠(3:2)/4⁠, and the fifth (3:2) is not tempered; and the 1⁄3-comma meantone, where the fifth is tempered to the extent that three ascending fifths produce a pure minor third.(See meantone temperaments). The music program Logic Pro uses also 1⁄2-comma meantone temperament.
• Equal-tempered refers to X-tone equal temperament with intervals corresponding to X divisions per octave.
• Tempered intervals however cannot be expressed in terms of prime limits and, unless exceptions, are not found in the table below.
• The table can also be sorted by frequency ratio, by cents, or alphabetically.
• Superparticular ratios are intervals that can be expressed as the ratio of two consecutive integers.

List

List of musical intervals

Cents	Note (from C)	Freq. ratio	Prime factors	Interval name	TET	Limit	M	S
0.00	C	1 : 1	1 : 1	play Unison, monophony, perfect prime, tonic, or fundamental	1, 12	3	M
0.03		65537 : 65536	65537 : 2	play Sixty-five-thousand-five-hundred-thirty-seventh harmonic		65537		S
0.40	C♯−	4375 : 4374	5×7 : 2×3	play Ragisma		7		S
0.72	E+	2401 : 2400	7 : 2×3×5	play Breedsma		7		S
1.00		2	2	play Cent	1200
1.20		2	2	play Millioctave	1000
1.95	B♯++	32805 : 32768	3×5 : 2	play Schisma		5
1.96		3:2÷(2)	3 : 2	Grad, Werckmeister
3.99		10	2×5	play Savart or eptaméride	301.03
7.71	B♯	225 : 224	3×5 : 2×7	play Septimal kleisma, marvel comma		7		S
8.11	B−	15625 : 15552	5 : 2×3	play Kleisma or semicomma majeur		5
10.06	A++	2109375 : 2097152	3×5 : 2	play Semicomma, Fokker's comma		5
10.85	C	160 : 159	2×5 : 3×53	play Difference between 5:3 & 53:32		53		S
11.98	C	145 : 144	5×29 : 2×3	play Difference between 29:16 & 9:5		29		S
12.50		2	2	play Sixteenth tone	96
13.07	B−	1728 : 1715	2×3 : 5×7	play Orwell comma		7
13.47	C	129 : 128	3×43 : 2	play Hundred-twenty-ninth harmonic		43		S
13.79	D	126 : 125	2×3×7 : 5	play Small septimal semicomma, small septimal comma, starling comma		7		S
14.37	C♭↑↑−	121 : 120	11 : 2×3×5	play Undecimal seconds comma		11		S
16.67	C↑	2	2	play 1 step in 72 equal temperament	72
18.13	C	96 : 95	2×3 : 5×19	play Difference between 19:16 & 6:5		19		S
19.55	D--	2048 : 2025	2 : 3×5	play Diaschisma, minor comma		5
21.51	C+	81 : 80	3 : 2×5	play Syntonic comma, major comma, komma, chromatic diesis, or comma of Didymus		5		S
22.64		2	2	play Holdrian comma, Holder's comma, 1 step in 53 equal temperament	53
23.46	B♯+++	531441 : 524288	3 : 2	play Pythagorean comma, ditonic comma		3
25.00		2	2	play Eighth tone	48
26.84	C	65 : 64	5×13 : 2	play Sixty-fifth harmonic, 13th-partial chroma		13		S
27.26	C−	64 : 63	2 : 3×7	play Septimal comma, Archytas' comma, 63rd subharmonic		7		S
29.27		2	2	play 1 step in 41 equal temperament	41
31.19	D♭↓	56 : 55	2×7 : 5×11	play Undecimal diesis, Ptolemy's enharmonic: difference between (11 : 8) and (7 : 5) tritone		11		S
33.33	C/D♭	2	2	play Sixth tone	36, 72
34.28	C	51 : 50	3×17 : 2×5	play Difference between 17:16 & 25:24		17		S
34.98	B♯-	50 : 49	2×5 : 7	play Septimal sixth tone or jubilisma, Erlich's decatonic comma or tritonic diesis		7		S
35.70	D♭	49 : 48	7 : 2×3	play Septimal diesis, slendro diesis or septimal 1/6-tone		7		S
38.05	C	46 : 45	2×23 : 3×5	play Inferior quarter tone, difference between 23:16 & 45:32		23		S
38.71		2	2	play 1 step in 31 equal temperament or Normal Diesis	31
38.91	C↓♯+	45 : 44	3×5 : 4×11	play Undecimal diesis or undecimal fifth tone		11		S
40.00		2	2	play Fifth tone	30
41.06	D−	128 : 125	2 : 5	play Enharmonic diesis or 5-limit limma, minor diesis, diminished second, minor diesis or diesis, 125th subharmonic		5
41.72	D♭	42 : 41	2×3×7 : 41	play Lesser 41-limit fifth tone		41		S
42.75	C	41 : 40	41 : 2×5	play Greater 41-limit fifth tone		41		S
43.83	C♯	40 : 39	2×5 : 3×13	play Tridecimal fifth tone		13		S
44.97	C	39 : 38	3×13 : 2×19	play Superior quarter-tone, novendecimal fifth tone		19		S
46.17	D-	38 : 37	2×19 : 37	play Lesser 37-limit quarter tone		37		S
47.43	C♯	37 : 36	37 : 2×3	play Greater 37-limit quarter tone		37		S
48.77	C	36 : 35	2×3 : 5×7	play Septimal quarter tone, septimal diesis, septimal chroma, superior quarter tone		7		S
49.98		246 : 239	3×41 : 239	play Just quarter tone		239
50.00	C/D	2	2	play Equal-tempered quarter tone	24
50.18	D♭	35 : 34	5×7 : 2×17	play ET quarter-tone approximation, lesser 17-limit quarter tone		17		S
50.72	B♯++	59049 : 57344	3 : 2×7	play Harrison's comma (10 P5s – 1 H7)		7
51.68	C↓♯	34 : 33	2×17 : 3×11	play Greater 17-limit quarter tone		17		S
53.27	C↑	33 : 32	3×11 : 2	play Thirty-third harmonic, undecimal comma, undecimal quarter tone		11		S
54.96	D♭-	32 : 31	2 : 31	play Inferior quarter-tone, thirty-first subharmonic		31		S
56.55	B♯+	529 : 512	23 : 2	play Five-hundred-twenty-ninth harmonic		23
56.77	C	31 : 30	31 : 2×3×5	play Greater quarter-tone, difference between 31:16 & 15:8		31		S
58.69	C♯	30 : 29	2×3×5 : 29	play Lesser 29-limit quarter tone		29		S
60.75	C	29 : 28	29 : 2×7	play Greater 29-limit quarter tone		29		S
62.96	D♭-	28 : 27	2×7 : 3	play Septimal minor second, small minor second, inferior quarter tone		7		S
63.81		(3 : 2)	3 : 2	play Beta scale step	18.80
65.34	C♯+	27 : 26	3 : 2×13	play Chromatic diesis, tridecimal comma		13		S
66.34	D♭	133 : 128	7×19 : 2	play One-hundred-thirty-third harmonic		19
66.67	C↑/C♯	2	2	play Third tone	18, 36, 72
67.90	D-	26 : 25	2×13 : 5	play Tridecimal third tone, third tone		13		S
70.67	C♯	25 : 24	5 : 2×3	play Just chromatic semitone or minor chroma, lesser chromatic semitone, small (just) semitone or minor second, minor chromatic semitone, or minor semitone, 2⁄7-comma meantone chromatic semitone, augmented unison		5		S
73.68	D♭-	24 : 23	2×3 : 23	play Lesser 23-limit semitone		23		S
75.00		2	2	play 1 step in 16 equal temperament, 3 steps in 48	16, 48
76.96	C↓♯+	23 : 22	23 : 2×11	play Greater 23-limit semitone		23		S
78.00		(3 : 2)	3 : 2	play Alpha scale step	15.39
79.31		67 : 64	67 : 2	play Sixty-seventh harmonic		67
80.54	C↑-	22 : 21	2×11 : 3×7	play Hard semitone, two-fifth tone small semitone		11		S
84.47	D♭	21 : 20	3×7 : 2×5	play Septimal chromatic semitone, minor semitone		7		S
88.80	C♯	20 : 19	2×5 : 19	play Novendecimal augmented unison		19		S
90.22	D♭−−	256 : 243	2 : 3	play Pythagorean minor second or limma, Pythagorean diatonic semitone, Low Semitone		3
92.18	C♯+	135 : 128	3×5 : 2	play Greater chromatic semitone, chromatic semitone, semitone medius, major chroma or major limma, small limma, major chromatic semitone, limma ascendant		5
93.60	D♭-	19 : 18	19 : 2×3	Novendecimal minor secondplay		19		S
97.36	D↓↓	128 : 121	2 : 11	play 121st subharmonic, undecimal minor second		11
98.95	D♭	18 : 17	2×3 : 17	play Just minor semitone, Arabic lute index finger		17		S
100.00	C♯/D♭	2	2	play Equal-tempered minor second or semitone	12		M
104.96	C♯	17 : 16	17 : 2	play Minor diatonic semitone, just major semitone, overtone semitone, 17th harmonic, limma		17		S
111.45		√5	(5 : 1)	play Studie II interval (compound just major third, 5:1, divided into 25 equal parts)	10.77
111.73	D♭-	16 : 15	2 : 3×5	play Just minor second, just diatonic semitone, large just semitone or major second, major semitone, limma, minor diatonic semitone, diatonic second semitone, diatonic semitone, 1⁄6-comma meantone minor second		5		S
113.69	C♯++	2187 : 2048	3 : 2	play Apotome or Pythagorean major semitone, Pythagorean augmented unison, Pythagorean chromatic semitone, or Pythagorean apotome		3
116.72		(18 : 5)	2×3 : 5	play Secor	10.28
119.44	C♯	15 : 14	3×5 : 2×7	play Septimal diatonic semitone, major diatonic semitone, Cowell semitone		7		S
125.00		2	2	play 5 steps in 48 equal temperament	48
128.30	D	14 : 13	2×7 : 13	play Lesser tridecimal 2/3-tone		13		S
130.23	C♯+	69 : 64	3×23 : 2	play Sixty-ninth harmonic		23
133.24	D♭	27 : 25	3 : 5	play Semitone maximus, minor second, large limma or Bohlen-Pierce small semitone, high semitone, alternate Renaissance half-step, large limma, acute minor second		5
133.33	C♯/D♭	2	2	play Two-third tone	9, 18, 36, 72
138.57	D♭-	13 : 12	13 : 2×3	play Greater tridecimal 2/3-tone, Three-quarter tone		13		S
150.00	C/D	2	2	play Equal-tempered neutral second	8, 24
150.64	D↓	12 : 11	2×3 : 11	play 3⁄4 tone or Undecimal neutral second, trumpet three-quarter tone, middle finger		11		S
155.14	D	35 : 32	5×7 : 2	play Thirty-fifth harmonic		7
160.90	D−−	800 : 729	2×5 : 3	play Grave whole tone, neutral second, grave major second		5
165.00	D↑♭−	11 : 10	11 : 2×5	play Greater undecimal minor/major/neutral second, 4/5-tone or Ptolemy's second		11		S
171.43		2	2	play 1 step in 7 equal temperament	7
175.00		2	2	play 7 steps in 48 equal temperament	48
179.70		71 : 64	71 : 2	play Seventy-first harmonic		71
180.45	E−−−	65536 : 59049	2 : 3	play Pythagorean diminished third, Pythagorean minor tone		3
182.40	D−	10 : 9	2×5 : 3	play Small just whole tone or major second, minor whole tone, lesser whole tone, minor tone, minor second, half-comma meantone major second		5		S
200.00	D	2	2	play Equal-tempered major second	6, 12		M
203.91	D	9 : 8	3 : 2	play Pythagorean major second, Large just whole tone or major second (sesquioctavan), tonus, major whole tone, greater whole tone, major tone		3		S
215.89	D	145 : 128	5×29 : 2	play Hundred-forty-fifth harmonic		29
223.46	E−	256 : 225	2 : 3×5	play Just diminished third, 225th subharmonic		5
225.00		2	2	play 9 steps in 48 equal temperament	16, 48
227.79		73 : 64	73 : 2	play Seventy-third harmonic		73
231.17	D−	8 : 7	2 : 7	play Septimal major second, septimal whole tone		7		S
240.00		2	2	play 1 step in 5 equal temperament	5
247.74	D♯	15 : 13	3×5 : 13	play Tridecimal 5⁄4 tone		13
250.00	D/E	2	2	play 5 steps in 24 equal temperament	24
251.34	D♯	37 : 32	37 : 2	play Thirty-seventh harmonic		37
253.08	D♯−	125 : 108	5 : 2×3	play Semi-augmented whole tone, semi-augmented second		5
262.37	E↓♭	64 : 55	2 : 5×11	play 55th subharmonic		11
266.87	E♭	7 : 6	7 : 2×3	play Septimal minor third or Sub minor third		7		S
268.80	D	299 : 256	13×23 : 2	play Two-hundred-ninety-ninth harmonic		23
274.58	D♯	75 : 64	3×5 : 2	play Just augmented second, Augmented tone, augmented second		5
275.00		2	2	play 11 steps in 48 equal temperament	48
289.21	E↓♭	13 : 11	13 : 11	play Tridecimal minor third		13
294.13	E♭−	32 : 27	2 : 3	play Pythagorean minor third semiditone, or 27th subharmonic		3
297.51	E♭	19 : 16	19 : 2	play 19th harmonic, 19-limit minor third, overtone minor third		19
300.00	D♯/E♭	2	2	play Equal-tempered minor third	4, 12		M
301.85	D♯-	25 : 21	5 : 3×7	play Quasi-equal-tempered minor third, 2nd 7-limit minor third, Bohlen-Pierce second		7
310.26		6:5÷(81:80)	2 : 5	play Quarter-comma meantone minor third			M
311.98		(3 : 2)	3 : 2	play Alpha scale minor third	15.39
315.64	E♭	6 : 5	2×3 : 5	play Just minor third, minor third, 1⁄3-comma meantone minor third		5	M	S
317.60	D♯++	19683 : 16384	3 : 2	play Pythagorean augmented second		3
320.14	E♭↑	77 : 64	7×11 : 2	play Seventy-seventh harmonic		11
325.00		2	2	play 13 steps in 48 equal temperament	48
336.13	D♯-	17 : 14	17 : 2×7	play Superminor third		17
337.15	E♭+	243 : 200	3 : 2×5	play Acute minor third		5
342.48	E♭	39 : 32	3×13 : 2	play Thirty-ninth harmonic		13
342.86		2	2	play 2 steps in 7 equal temperament	7
342.91	E♭-	128 : 105	2 : 3×5×7	play 105th subharmonic, septimal neutral third		7
347.41	E↑♭−	11 : 9	11 : 3	play Undecimal neutral third		11
350.00	D/E	2	2	play Equal-tempered neutral third	24
354.55	E↓+	27 : 22	3 : 2×11	play Zalzal's wosta 12:11 X 9:8		11
359.47	E	16 : 13	2 : 13	play Tridecimal neutral third		13
364.54		79 : 64	79 : 2	play Seventy-ninth harmonic		79
364.81	E−	100 : 81	2×5 : 3	play Grave major third		5
375.00		2	2	play 15 steps in 48 equal temperament	16, 48
384.36	F♭−−	8192 : 6561	2 : 3	play Pythagorean diminished fourth, Pythagorean 'schismatic' third		3
386.31	E	5 : 4	5 : 2	play Just major third, major third, quarter-comma meantone major third		5	M	S
397.10	E+	161 : 128	7×23 : 2	play One-hundred-sixty-first harmonic		23
400.00	E	2	2	play Equal-tempered major third	3, 12		M
402.47	E	323 : 256	17×19 : 2	play Three-hundred-twenty-third harmonic		19
407.82	E+	81 : 64	3 : 2	play Pythagorean major third, ditone		3
417.51	F↓+	14 : 11	2×7 : 11	play Undecimal diminished fourth or major third		11
425.00		2	2	play 17 steps in 48 equal temperament	48
427.37	F♭	32 : 25	2 : 5	play Just diminished fourth, diminished fourth, 25th subharmonic		5
429.06	E	41 : 32	41 : 2	play Forty-first harmonic		41
435.08	E	9 : 7	3 : 7	play Septimal major third, Bohlen-Pierce third, Super major Third		7
444.77	F↓	128 : 99	2 : 3×11	play 99th subharmonic		11
450.00	E/F	2	2	play 9 steps in 24 equal temperament	8, 24
450.05		83 : 64	83 : 2	play Eighty-third harmonic		83
454.21	F♭	13 : 10	13 : 2×5	play Tridecimal major third or diminished fourth		13
456.99	E♯	125 : 96	5 : 2×3	play Just augmented third, augmented third		5
462.35	E-	64 : 49	2 : 7	play 49th subharmonic		7
470.78	F+	21 : 16	3×7 : 2	play Twenty-first harmonic, narrow fourth, septimal fourth, wide augmented third, H7 on G		7
475.00		2	2	play 19 steps in 48 equal temperament	48
478.49	E♯+	675 : 512	3×5 : 2	play Six-hundred-seventy-fifth harmonic, wide augmented third		5
480.00		2	2	play 2 steps in 5 equal temperament	5
491.27	E♯	85 : 64	5×17 : 2	play Eighty-fifth harmonic		17
498.04	F	4 : 3	2 : 3	play Perfect fourth, Pythagorean perfect fourth, Just perfect fourth or diatessaron		3		S
500.00	F	2	2	play Equal-tempered perfect fourth	12		M
501.42	F+	171 : 128	3×19 : 2	play One-hundred-seventy-first harmonic		19
510.51		(3 : 2)	3 : 2	play Beta scale perfect fourth	18.80
511.52	F	43 : 32	43 : 2	play Forty-third harmonic		43
514.29		2	2	play 3 steps in 7 equal temperament	7
519.55	F+	27 : 20	3 : 2×5	play 5-limit wolf fourth, acute fourth, imperfect fourth		5
521.51	E♯+++	177147 : 131072	3 : 2	play Pythagorean augmented third (F+ (pitch))		3
525.00		2	2	play 21 steps in 48 equal temperament	16, 48
531.53	F+	87 : 64	3×29 : 2	play Eighty-seventh harmonic		29
536.95	F↓♯+	15 : 11	3×5 : 11	play Undecimal augmented fourth		11
550.00	F/G	2	2	play 11 steps in 24 equal temperament	24
551.32	F↑	11 : 8	11 : 2	play eleventh harmonic, undecimal tritone, lesser undecimal tritone, undecimal semi-augmented fourth		11
563.38	F♯+	18 : 13	2×9 : 13	play Tridecimal augmented fourth		13
568.72	F♯	25 : 18	5 : 2×3	play Just augmented fourth		5
570.88		89 : 64	89 : 2	play Eighty-ninth harmonic		89
575.00		2	2	play 23 steps in 48 equal temperament	48
582.51	G♭	7 : 5	7 : 5	play Lesser septimal tritone, septimal tritone Huygens' tritone or Bohlen-Pierce fourth, septimal fifth, septimal diminished fifth		7
588.27	G♭−−	1024 : 729	2 : 3	play Pythagorean diminished fifth, low Pythagorean tritone		3
590.22	F♯+	45 : 32	3×5 : 2	play Just augmented fourth, just tritone, tritone, diatonic tritone, 'augmented' or 'false' fourth, high 5-limit tritone, 1⁄6-comma meantone augmented fourth		5
595.03	G♭	361 : 256	19 : 2	play Three-hundred-sixty-first harmonic		19
600.00	F♯/G♭	2	2=√2	play Equal-tempered tritone	2, 12		M
609.35	G♭	91 : 64	7×13 : 2	play Ninety-first harmonic		13
609.78	G♭−	64 : 45	2 : 3×5	play Just tritone, 2nd tritone, 'false' fifth, diminished fifth, low 5-limit tritone, 45th subharmonic		5
611.73	F♯++	729 : 512	3 : 2	play Pythagorean tritone, Pythagorean augmented fourth, high Pythagorean tritone		3
617.49	F♯	10 : 7	2×5 : 7	play Greater septimal tritone, septimal tritone, Euler's tritone		7
625.00		2	2	play 25 steps in 48 equal temperament	48
628.27	F♯+	23 : 16	23 : 2	play Twenty-third harmonic, classic diminished fifth		23
631.28	G♭	36 : 25	2×3 : 5	play Just diminished fifth		5
646.99	F♯+	93 : 64	3×31 : 2	play Ninety-third harmonic		31
648.68	G↓	16 : 11	2 : 11	play ` undecimal semi-diminished fifth		11
650.00	F/G	2	2	play 13 steps in 24 equal temperament	24
665.51	G	47 : 32	47 : 2	play Forty-seventh harmonic		47
675.00		2	2	play 27 steps in 48 equal temperament	16, 48
678.49	A−−−	262144 : 177147	2 : 3	play Pythagorean diminished sixth		3
680.45	G−	40 : 27	2×5 : 3	play 5-limit wolf fifth, or diminished sixth, grave fifth, imperfect fifth,		5
683.83	G	95 : 64	5×19 : 2	play Ninety-fifth harmonic		19
684.82	E++	12167 : 8192	23 : 2	play 12167th harmonic		23
685.71		2 : 1		play 4 steps in 7 equal temperament	7
691.20		3:2÷(81:80)	2×5 : 3	play Half-comma meantone perfect fifth			M
694.79		3:2÷(81:80)	2×5 : 3	play 1⁄3-comma meantone perfect fifth			M
695.81		3:2÷(81:80)	2×5 : 3	play 2⁄7-comma meantone perfect fifth			M
696.58		3:2÷(81:80)	5	play Quarter-comma meantone perfect fifth			M
697.65		3:2÷(81:80)	3×5 : 2	play 1⁄5-comma meantone perfect fifth			M
698.37		3:2÷(81:80)	3×5 : 2	play 1⁄6-comma meantone perfect fifth			M
700.00	G	2	2	play Equal-tempered perfect fifth	12		M
701.89		2	2	play 53-TET perfect fifth	53
701.96	G	3 : 2	3 : 2	play Perfect fifth, Pythagorean perfect fifth, Just perfect fifth or diapente, fifth, Just fifth		3		S
702.44		2	2	play 41-TET perfect fifth	41
703.45		2	2	play 29-TET perfect fifth	29
719.90		97 : 64	97 : 2	play Ninety-seventh harmonic		97
720.00		2 : 1		play 3 steps in 5 equal temperament	5
721.51	A−	1024 : 675	2 : 3×5	play Narrow diminished sixth		5
725.00		2	2	play 29 steps in 48 equal temperament	48
729.22	G-	32 : 21	2 : 3×7	play 21st subharmonic, septimal diminished sixth		7
733.23	F+	391 : 256	17×23 : 2	play Three-hundred-ninety-first harmonic		23
737.65	A♭+	49 : 32	7×7 : 2	play Forty-ninth harmonic		7
743.01	A	192 : 125	2×3 : 5	play Classic diminished sixth		5
750.00	G/A	2	2	play 15 steps in 24 equal temperament	8, 24
755.23	G↑	99 : 64	3×11 : 2	play Ninety-ninth harmonic		11
764.92	A♭	14 : 9	2×7 : 3	play Septimal minor sixth		7
772.63	G♯	25 : 16	5 : 2	play Just augmented fifth		5
775.00		2	2	play 31 steps in 48 equal temperament	48
781.79		π : 2		play Wallis product
782.49	G↑-	11 : 7	11 : 7	play Undecimal minor sixth, undecimal augmented fifth, Fibonacci numbers		11
789.85		101 : 64	101 : 2	play Hundred-first harmonic		101
792.18	A♭−	128 : 81	2 : 3	play Pythagorean minor sixth, 81st subharmonic		3
798.40	A♭+	203 : 128	7×29 : 2	play Two-hundred-third harmonic		29
800.00	G♯/A♭	2	2	play Equal-tempered minor sixth	3, 12		M
806.91	G♯	51 : 32	3×17 : 2	play Fifty-first harmonic		17
813.69	A♭	8 : 5	2 : 5	play Just minor sixth		5
815.64	G♯++	6561 : 4096	3 : 2	play Pythagorean augmented fifth, Pythagorean 'schismatic' sixth		3
823.80		103 : 64	103 : 2	play Hundred-third harmonic		103
825.00		2	2	play 33 steps in 48 equal temperament	16, 48
832.18	G♯+	207 : 128	3×23 : 2	play Two-hundred-seventh harmonic		23
833.09		(5+1)/2	φ : 1	play Golden ratio (833 cents scale)
835.19	A♭+	81 : 50	3 : 2×5	play Acute minor sixth		5
840.53	A♭	13 : 8	13 : 2	play Tridecimal neutral sixth, overtone sixth, thirteenth harmonic		13
848.83	A♭↑	209 : 128	11×19 : 2	play Two-hundred-ninth harmonic		19
850.00	G/A	2	2	play Equal-tempered neutral sixth	24
852.59	A↓+	18 : 11	2×3 : 11	play Undecimal neutral sixth, Zalzal's neutral sixth		11
857.09	A+	105 : 64	3×5×7 : 2	play Hundred-fifth harmonic		7
857.14		2	2	play 5 steps in 7 equal temperament	7
862.85	A−	400 : 243	2×5 : 3	play Grave major sixth		5
873.50	A	53 : 32	53 : 2	play Fifty-third harmonic		53
875.00		2	2	play 35 steps in 48 equal temperament	48
879.86	A↓	128 : 77	2 : 7×11	play 77th subharmonic		11
882.40	B−−−	32768 : 19683	2 : 3	play Pythagorean diminished seventh		3
884.36	A	5 : 3	5 : 3	play Just major sixth, Bohlen-Pierce sixth, 1⁄3-comma meantone major sixth		5	M
889.76		107 : 64	107 : 2	play Hundred-seventh harmonic		107
892.54	B	6859 : 4096	19 : 2	play 6859th harmonic		19
900.00	A	2	2	play Equal-tempered major sixth	4, 12		M
902.49	A	32 : 19	2 : 19	play 19th subharmonic		19
905.87	A+	27 : 16	3 : 2	play Pythagorean major sixth		3
921.82		109 : 64	109 : 2	play Hundred-ninth harmonic		109
925.00		2	2	play 37 steps in 48 equal temperament	48
925.42	B−	128 : 75	2 : 3×5	play Just diminished seventh, diminished seventh, 75th subharmonic		5
925.79	A+	437 : 256	19×23 : 2	play Four-hundred-thirty-seventh harmonic		23
933.13	A	12 : 7	2×3 : 7	play Septimal major sixth		7
937.63	A↑	55 : 32	5×11 : 2	play Fifty-fifth harmonic		11
950.00	A/B	2	2	play 19 steps in 24 equal temperament	24
953.30	A♯+	111 : 64	3×37 : 2	play Hundred-eleventh harmonic		37
955.03	A♯	125 : 72	5 : 2×3	play Just augmented sixth		5
957.21		(3 : 2)	3 : 2	play 15 steps in Beta scale	18.80
960.00		2	2	play 4 steps in 5 equal temperament	5
968.83	B♭	7 : 4	7 : 2	play Septimal minor seventh, harmonic seventh, augmented sixth		7
975.00		2	2	play 39 steps in 48 equal temperament	16, 48
976.54	A♯+	225 : 128	3×5 : 2	play Just augmented sixth		5
984.21		113 : 64	113 : 2	play Hundred-thirteenth harmonic		113
996.09	B♭−	16 : 9	2 : 3	play Pythagorean minor seventh, Small just minor seventh, lesser minor seventh, just minor seventh, Pythagorean small minor seventh		3
999.47	B♭	57 : 32	3×19 : 2	play Fifty-seventh harmonic		19
1000.00	A♯/B♭	2	2	play Equal-tempered minor seventh	6, 12		M
1014.59	A♯+	115 : 64	5×23 : 2	play Hundred-fifteenth harmonic		23
1017.60	B♭	9 : 5	3 : 5	play Greater just minor seventh, large just minor seventh, Bohlen-Pierce seventh		5
1019.55	A♯+++	59049 : 32768	3 : 2	play Pythagorean augmented sixth		3
1025.00		2	2	play 41 steps in 48 equal temperament	48
1028.57		2	2	play 6 steps in 7 equal temperament	7
1029.58	B♭	29 : 16	29 : 2	play Twenty-ninth harmonic, minor seventh		29
1035.00	B↓	20 : 11	2×5 : 11	play Lesser undecimal neutral seventh, large minor seventh		11
1039.10	B♭+	729 : 400	3 : 2×5	play Acute minor seventh		5
1044.44	B♭	117 : 64	3×13 : 2	play Hundred-seventeenth harmonic		13
1044.86	B♭-	64 : 35	2 : 5×7	play 35th subharmonic, septimal neutral seventh		7
1049.36	B↑♭−	11 : 6	11 : 2×3	play 21⁄4-tone or Undecimal neutral seventh, undecimal 'median' seventh		11
1050.00	A/B	2	2	play Equal-tempered neutral seventh	8, 24
1059.17		59 : 32	59 : 2	play Fifty-ninth harmonic		59
1066.76	B−	50 : 27	2×5 : 3	play Grave major seventh		5
1071.70	B♭-	13 : 7	13 : 7	play Tridecimal neutral seventh		13
1073.78	B	119 : 64	7×17 : 2	play Hundred-nineteenth harmonic		17
1075.00		2	2	play 43 steps in 48 equal temperament	48
1086.31	C′♭−−	4096 : 2187	2 : 3	play Pythagorean diminished octave		3
1088.27	B	15 : 8	3×5 : 2	play Just major seventh, small just major seventh, 1⁄6-comma meantone major seventh		5
1095.04	C♭	32 : 17	2 : 17	play 17th subharmonic		17
1100.00	B	2	2	play Equal-tempered major seventh	12		M
1102.64	B↑↑♭-	121 : 64	11 : 2	play Hundred-twenty-first harmonic		11
1107.82	C′♭−	256 : 135	2 : 3×5	play Octave − major chroma, 135th subharmonic, narrow diminished octave		5
1109.78	B+	243 : 128	3 : 2	play Pythagorean major seventh		3
1116.88		61 : 32	61 : 2	play Sixty-first harmonic		61
1125.00		2	2	play 45 steps in 48 equal temperament	16, 48
1129.33	C′♭	48 : 25	2×3 : 5	play Classic diminished octave, large just major seventh		5
1131.02	B	123 : 64	3×41 : 2	play Hundred-twenty-third harmonic		41
1137.04	B	27 : 14	3 : 2×7	play Septimal major seventh		7
1138.04	C♭	247 : 128	13×19 : 2	play Two-hundred-forty-seventh harmonic		19
1145.04	B	31 : 16	31 : 2	play Thirty-first harmonic, augmented seventh		31
1146.73	C↓	64 : 33	2 : 3×11	play 33rd subharmonic		11
1150.00	B/C	2	2	play 23 steps in 24 equal temperament	24
1151.23	C	35 : 18	5×7 : 2×3	play Septimal supermajor seventh, septimal quarter tone inverted		7
1158.94	B♯	125 : 64	5 : 2	play Just augmented seventh, 125th harmonic		5
1172.74	C+	63 : 32	3×7 : 2	play Sixty-third harmonic		7
1175.00		2	2	play 47 steps in 48 equal temperament	48
1178.49	C′−	160 : 81	2×5 : 3	play Octave − syntonic comma, semi-diminished octave		5
1179.59	B↑	253 : 128	11×23 : 2	play Two-hundred-fifty-third harmonic		23
1186.42		127 : 64	127 : 2	play Hundred-twenty-seventh harmonic		127
1200.00	C′	2 : 1	2 : 1	play Octave or diapason	1, 12	3	M	S

See also

• List of chord progressions
• List of meantone intervals
• List of musical scales and modes

Notes

1. ^ Maneri-Sims notation

References

1. ^ Fox, Christopher (2003). "Microtones and Microtonalities", Contemporary Music Review, v. 22, pt. 1–2. (Abingdon, Oxfordshire, UK: Routledge): p. 13.
2. ^ Fonville, John. 1991. "Ben Johnston's Extended Just Intonation: A Guide for Interpreters". Perspectives of New Music 29, no. 2 (Summer): 106–137.
3. ^ "List of intervals", Huygens-Fokker Foundation. The Foundation uses "classic" to indicate "just" or leaves off any adjective, as in "major sixth".
4. ^ Partch, Harry (1979). Genesis of a Music. pp. 68–69. ISBN 978-0-306-80106-8.
5. ^ "Anatomy of an Octave", Kyle Gann (1998). Gann leaves off "just" but includes "5-limit". He uses "median" for "neutral".
6. ^ Haluška, Ján (2003). The Mathematical Theory of Tone Systems, pp. xxv–xxix. ISBN 978-0-8247-4714-5.
7. Ellis, Alexander J.; Hipkins, Alfred J. (1884). "Tonometrical Observations on Some Existing Non-Harmonic Musical Scales". Proceedings of the Royal Society of London. 37 (232–234): 368–385. doi:10.1098/rspl.1884.0041. JSTOR 114325. S2CID 122407786.
8. "Logarithmic Interval Measures", Huygens-Fokker Foundation. Accessed 2015-06-06.
9. "Orwell Temperaments", Xenharmony.org.
10. ^ Partch 1979, p. 70
11. ^ Alexander John Ellis (March 1885). On the musical scales of various nations, p. 488. Journal of the Society of Arts, vol. XXXII, no. 1688
12. William Smythe Babcock Mathews (1895). Pronouncing Dictionary and Condensed Encyclopedia of Musical Terms, p. 13. ISBN 1-112-44188-3.
13. ^ Anger, Joseph Humfrey (1912). A Treatise on Harmony, with Exercises, Volume 3, pp. xiv–xv. W. Tyrrell.
14. ^ Hermann Ludwig F. von Helmholtz (Alexander John Ellis, trans.) (1875). "Additions by the translator", On the sensations of tone as a physiological basis for the theory of music, p. 644.
15. A. R. Meuss (2004). Intervals, Scales, Tones and the Concert Pitch C. Temple Lodge Publishing. p. 15. ISBN 1902636465.
16. ^ Paul, Oscar (1885). A Manual of Harmony for Use in Music-schools and Seminaries and for Self-instruction, p. 165. Theodore Baker, trans. G. Schirmer. Paul uses "natural" for "just".
17. ^ "13th-harmonic", 31et.com.
18. Brabner, John H. F. (1884). The National Encyclopaedia, vol. 13, p. 182. London.
19. Sabat, Marc and von Schweinitz, Wolfgang (2004). "The Extended Helmholtz-Ellis JI Pitch Notation" , NewMusicBox. Accessed: 15 March 2014.
20. Hermann L. F. von Helmholtz (2007). On the Sensations of Tone, p. 456. ISBN 978-1-60206-639-7.
21. "Gallery of Just Intervals", Xenharmonic Wiki.

External links

• "Names of seven-limit commas", XenHarmony.org. (Archived copy)
• "List of Overtones", Xenharmonic Wiki.
• "All Known Musical Intervals" (by Dale Pond), Svpvril.com."

v t e Consonance and dissonance
Argument Avoid note Beating Cadence Chord Interval Musical note Nonchord tone Cambiata Changing tones Pedal point Preparation Resolution Spectra
Consonances	Unison Minor third Major third Perfect fourth Perfect fifth Minor sixth Major sixth Octave
Dissonances	Minor second Major second Tritone Minor seventh Major seventh
List of musical intervals

v t e Intervals
Twelve- semitone (post-Bach Western)	(Numbers in brackets are the number of semitones in the interval.) Perfect unison (0) fourth (5) fifth (7) octave (12) Major second (2) third (4) sixth (9) seventh (11) Minor second (1) third (3) sixth (8) seventh (10) Augmented unison (1) second (3) third (5) fourth (6) fifth (8) sixth (10) seventh (12) Diminished second (0) third (2) fourth (4) fifth (6) sixth (7) seventh (9) octave (11) Compound ninth (13 or 14) tenth (15 or 16) eleventh (17 or 18) twelfth (18 or 19) thirteenth (20 or 21) fourteenth (22 or 23) fifteenth (24)
Other tuning systems	24-tone equal temperament (Numbers in brackets refer to fractional semitones.) Neutral quarter tone (1⁄2) second (1+1⁄2) third (3+1⁄2) major fourth (5+1⁄2) minor fifth (6+1⁄2) sixth (8+1⁄2) seventh (10+1⁄2) Just intonations (Numbers in brackets refer to pitch ratios.) 7-limit septimal quarter tone (36:35) septimal third tone (28:27) septimal chromatic semitone (21:20) septimal diatonic semitone (15:14) supermajor second (8:7) subminor third (7:6) supermajor third (9:7) subminor fifth (7:5) supermajor fourth (10:7) subminor seventh (7:4) Higher-limit minor diatonic semitone (17-limit)
Other intervals	Groups Microtone 5-limit Comma Pseudo-octave Pythagorean interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal quarter tone Commas Pythagorean comma (23.5 cents) Syntonic comma (21.5 cents) Holdrian comma (22.6 cents) Septimal comma (27.3 cents) Lesser diesis (41.1 cents) Greater diesis (62.6 cents) Septimal diesis (35.7 cents) Diaschisma (19.5 cents) Semicomma (10.1 cents) Septimal semicomma (13.8 cents) Kleisma (8.1 cents) Septimal kleisma (7.7 cents) Schisma (1.95 cents) Breedsma (0.72 cents) Ragisma (0.4 cents) Measurement Cent Centitone Millioctave Savart Others Wolf Ditone Semiditone Secor Incomposite interval
List of pitch intervals

v t e Music theory lists
Chords Progressions Compositions Atonal featuring Andalusian cadences Homotonal Major/minor Just Polytonal Quarter tone Twelve-tone and serial Whole tone scale Genres Intervals 5-limit just Meantone Jazz contrafacts Turkish makams Set classes Scales and modes Teachers Theorists Tone rows and series

• Intervals (music)
• Music theory lists
• Musical terminology